Director Yuval Sharon’s company debut is an imaginative, expansive production headed by two top-flight singers, Lise Davidsen ...
Wagner College Opera presents ‘The Magic Flute,’ last staged with masked singers during the pandemic
STATEN ISLAND, N.Y. — Wagner College Opera invites audiences to experience a magical night of spellbinding music, fantasy, and philosophy in its upcoming production of Mozart’s “The Magic Flute.” ...
Longborough Festival Opera has appointed conductor Christopher Ward as its new Music Director from the 2027 season. Ward ...
It’s one of the great epics of Western civilization, a four-part drama of family dysfunction and betrayal, of gods and mortals, giants and dwarfs, sacrifice and ultimate cleansing and renewal by fire ...
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Specially built wood horn known as holztrompete sounds at Met Opera in Wagner's `Tristan und Isolde'
About 4 1/2 hours after the first notes of Wagner's “Tristan und Isolde,” a startling sound emerges from the wings, one many in the audience likely have never heard before. A nearly 4-foot wooden ...
Regional opera companies always take a pause before they produce operas by Richard Wagner. The German composer has a big reputation for grand titles that unfold at a snail’s pace. Wagner’s famous ...
STATEN ISLAND, N.Y. — Was it the music of Rossini, Puccini or Bellini that grabbed the attention of “Italian Idol” judges? Ultimately, it was an opera piece by Catalani that took the contest, a ...
Yuval Sharon’s debut production featured an astonishing performance by the soprano Lise Davidsen. It is the event of the season.
Under the baton of Music Director Carl St.Clair-one of today's foremost Wagner interpreters-audiences can experience the raw power and gripping narrative of Richard Wagner's majestic opera, performed ...
Barrie Kosky’s Siegfried at the Royal Opera House is the finest staging of the opera I’ve ever seen. It confirms his status as a theatrical director operating at the very top of his game, and marks – ...
Conductor Juraj Valčuha ably coordinated and balanced the orchestra and the singers, while drawing out the dramatic effects from Wagner's detail-laden score.
At the festival that Wagner founded, a new “Parsifal” looks different depending on how you see it, and a workshop model refreshes revivals. By Zachary Woolfe Zachary Woolfe saw Wagner’s “Ring,” ...
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