The Trisha Brown Dance Company is presenting a stellar double bill of Rauschenberg-designed works by Merce Cunningham and Trisha Brown.

A decade later, “Set and Reset” is presented once more at the Howard Gilman Opera House, BAM’s largest stage, which seats over 2,000.

A performance of Second Hand in Cunningham (2019), dir. Alla Kovgan (all images courtesy Dogwoof) Merce Cunningham‘s centenary this year has been marked by various celebrations and tributes. The ...

Installation view of Merce Cunningham: For Camera on the High Line (image by the author for Hyperallergic) In Locale (1980), a thirty-minute film collaboration between Charles Atlas and the Merce ...

This is James Taylor with Theatre Talk. One of the most magical theatrical experiences of the last few seasons was the Merce Cunningham Dance Company-s residency at UCLA Live! a few years back. The ...

Dance, by its very nature, is the most ephemeral of all arts. How can it be saved for the enlightenment or pleasure of future generations of both dancers and audiences? In dance, there is no official ...

He’s been at this for a while, but even after more than 50 years before the public, there remains something weird and wonderful about Merce Cunningham’s dance pieces. His troupe rehearses without ...