Performances in N.Y.C. Advertisement Supported by Sondra Radvanovsky has taken on one of opera’s most grueling roles. “You can’t just act it,” she said. “You really have to live it.” By Javier C.

BERLIN — For 25 centuries, a mythic Medea has haunted civilization. The sorceress — mortal granddaughter of Helios, the sun god of Greek mythology — kills two of her children as revenge for her ...

Jersey Shore based NENAproductions Theater Project announces an all-male identifying cast for its spring production of Euripides' Greek tragedy, MEDEA. Directly in line with NENA's mission, ...

It should have worked better. Classical Theatre’s season opener, Medea, has all the talent, tools and twists to make Euripides’ classical play something remarkable. There’s the crisp 95-minute runtime ...

Get all the top news & discounts for Chicago & beyond. Hell hath no fury like a sorceress scorned. This centuries-old tale burns with unrelenting emotional fire, and in Cherubini’s hands, it demands ...

There’s something pleasingly ritualistic (and, therefore, very Greek) about Michael Boyd’s new production of Medea for the Edinburgh Festival and the National Theatre of Scotland. Tom Piper’s designs, ...

“I go now to the Styx, the sacred river!” sang the soprano, and flinging aside her dagger, collapsed on the stage. As the curtain fell, buxom Eileen Farrell hoisted herself to her feet, trudged back ...